In case you missed the news, the Minnesota Orchestral Association has promoted Kevin Smith from Interim CEO to Actual CEO. He’s staying until the end of the 2017-2018 season (at least), and he will be negotiating both Osmo’s and the musicians’ new contracts. The board voted unanimously to keep him.
I haven’t met Mr. Smith yet, but nearly all of my musical friends have, and I’ve heard nothing but good about him. A few things are abundantly clear. He knows what he’s doing. He knows the Twin Cities. He has years of experience under his belt. And, perhaps most importantly of all, he listens. Stakeholders respect this man. When he has to make the tough decisions that lie ahead, I may not always agree with his choices, but I will respect them, and I will know that he is working for the good of the organization and the art form and the community. You can’t buy that kind of trust.
In fact, if I had to choose what’s the bigger news, Osmo’s rehiring or Kevin’s promotion… I’d probably go with Kevin’s promotion. And you all know how thrilled I was that Osmo was re-hired. So you can guess how excited I am about Kevin.
But wait. As the infomercials say, there’s more. In an interview the other night on Almanac, when asked if Osmo’s contract would be renewed, Smith said:
We are talking about that. I would hope and expect, yes.
I would hope and expect, yes.
I would hope and expect, yes.
The phrase “I would hope and expect, yes” in a pretty font and decorated with my excited yellow Rays of Yay
It’s a tribute to how far we’ve come that this quote isn’t plastered all over blogs and Twitter and Facebook and Strib articles.
I think most people would agree that
- the chances of a second lockout have declined precipitously
- we just might be looking at a fair musicians’ contract extending until approximately 2020, and
- the Osmo era is likely going to continue.
It’s looking like the Minnesota Orchestral Association has entered its own Era of Good Feelings. And I’m on board with that.
So it might be time to bid a fond farewell to the Song of the Lark Outrage Machine. The Outrage Machine ran fast and hard for a very long time, fueled by the spittle from my flail-y freak-outs and the sarcasm of animated GIFs. But between Kevin Smith’s hiring and the Atlanta Symphony lockout ending, it looks like outrage is going out of style. Which is great.
It’s just too bad I can’t take the Outrage Machine out for a final spin to commemorate old times and old scandals.
Somehow… somewhere… some news could break about the Era of Bad Feelings.
But, no. That’s impossible. Michael Henson has been gone from the Minnesota Orchestra for months now. His vision – or maybe that’s “myopia” – has been thoroughly repudiated by all. Surely there’s no new news left about his tenure…
I’m sorry, guidestar.org, the website that “gather[s] and disseminate[s] information about every single IRS-registered nonprofit organization“…did you say something?
Oh? What’s this? The 990 form for the Minnesota Orchestral Association covering the time span of September 2012 to August 2013, which features only one non-lockout month?
Do you hear that roar in the distance? I think it’s the outrage machine revving up for one last final outing! So jump aboard now, for one last ride, for nostalgia’s sake…
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