I’m busy packing for Carnegie today (PACKING FOR CARNEGIE, GUYS) (PACKING. FOR. CARNEGIE.). But amidst the madness of spare socks and dress-wrapping, I’m excited to announce that I’m writing for classical music website Interlude HK!
I’ll be writing essays, 500 to 600 words or thereabouts, on topics having to do with classical music. If you have any favorite stories you’d like to see covered, let me know!
My first Interlude essay is called “Music by a Medium: The Story of Rosemary Brown.” It’s about a woman composer, yes, but with a twist: Rosemary Brown believed she was channeling the music of the dead.
I will link to new entries on SOTL’s Facebook and Twitter pages as they’re published. For those who only check the blog, I’ll try to remember to post an entry at the end of each month containing links to my Interlude essays.
Be sure to explore the Interlude archives! There are lots of great stories there about the personal lives of great composers and musicians. Also, former Minnesota Orchestra cellist Janet Horvath is a long-time contributor, and she has written some great essays about behind-the-scenes life at Minnesota. Here’s her contributor page.
Now if you’ll excuse me, I have to vacuum the cat hair off my suitcase…
How do you get to Carnegie Hall?
- Practice practice practice, ~OR~
- Use the Minnesota Orchestra’s first post-lockout performance in New York City as an excuse to fly in from Minneapolis and creep out native New Yorkers with your girlish, shockingly unprofessional enthusiasm!
I chose the second option. Practicing can be a drag, and I’m good at screaming in concert halls.
The Minnesota Orchestra and guest soloist Hilary Hahn take the stage at Carnegie Hall on Thursday, March 3rd. This past weekend, they performed the program they’ll be bringing on tour. I went on Friday and Saturday nights to get a sense of how the orchestra is sounding in this benchmark repertoire.
The program begins with Sibelius’s underplayed third symphony. Osmo recently described the piece in a Minnesota Public Radio interview: “I love all of the symphonies, but in this context I would like to give something which is almost totally unknown piece, but great piece of music.”
The Minnesota Orchestra performed Jean Sibelius’s Kullervo last weekend, and I still haven’t recovered.
Music is always difficult to describe, but this piece verges on impossible. It’s long, for one. Its scope rivals a DeMille-directed Biblical epic. It is a glimpse into the very heart of terror and savagery and ice. It enshrines the ghost of a young Sibelius. In Kullervo, Sibelius began to chop a road through a dark and snowy forest. He may have abandoned that road, ultimately preferring another path of tighter, leaner construction. But his decision makes the road untaken all the more fascinating. As listeners, we stand at the edge of Kullervo and peer into the vast unexplored darkness beyond.