Monthly Archives: December 2018

Geraldine Farrar: Opera Diva, Actress, Movie Star: Part 1

In 1898 a sixteen-year-old soprano named Geraldine Farrar auditioned for Maurice Grau, manager at the Metropolitan Opera. Dissatisfied with the provided pianist, she promptly fired him on the spot and then took to the bench to accompany herself. “What my emotions were when I passed in through the stage door I cannot describe,” she later wrote. “I sang as I believe I had never sung before.”

Although Grau was duly impressed, he also thought that Farrar could benefit from European training before a debut. But as a consolation prize, he offered her a slot singing at one of the Met’s Sunday night concerts.

“No, thank you, Mr. Grau,” I replied. (No tame concert appearances after my imagination had been dazzled by a possible début in opera!)

“But it might be valuable to you to have your name on the billboards of the Metropolitan Opera House,” he urged good-naturedly.

“You will see it there some day,” I replied with firm conviction.

Farrar’s unflappable (some would say unfeminine) self-confidence must have been a sight to behold, even in an art form famous for its egos. But that confidence wasn’t misplaced. Geraldine Farrar was exactly right: not only would she soon see her name on the Met’s billboards, she would eventually become one of the greatest operatic performers of her age.

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Geraldine Farrar was born in Melrose, Massachusetts, on 28 February 1882, a year after her parents’ wedding. Her father Sidney was a haberdashery store-owner and later the first baseman for the Philadelphia Phillies, and her eighteen-year-old mother Henrietta was the musically inclined daughter of a violin teacher. Both Farrars sang in the choir of the First Universalist Church of Melrose. So it was only natural that their only child would develop an interest in music. As a toddler, little Geraldine banged on piano keys and sang barrel organ airs. At three she sang at her first concert at church. When she finished, she walked to the edge of the platform and asked her mother, “Did I do it well, mamma?” Her audience was entranced by her moxie.

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2018 Song of the Lark Advent Calendar

In the Christian tradition, the Advent season is a time of introspection and preparation. An outlook of radical, celebratory inclusivity is at hand, and Advent is our way of readying ourselves to embrace (or re-embrace) this thrilling new way of looking at the world.

In the SOTL tradition, the Advent season is a time to assemble Advent calendars, because that’s fun. I’ve prepared Advent calendars in some form since 2012. But in 2017 my Advent observations included creating a playlist of music by women composers. I did this mainly for myself, but the project proved to be really popular, so I’m doing it again this year. God only knows there’s no shortage of works to feature!

The more I think about it, the more fitting this focus on women composers at this time of year feels. So many of us are looking forward to welcoming a new way of looking at the musical world: one, in short, that values the previously shushed. That birth of perspective won’t magically happen on December 24. But maybe there are things that we can do in 2019 to push that birth along. Awareness and celebration are key.

So. You can go to songofthelarkadventcalendar.tumblr.com to see the calendar and enjoy all the works spotlit therein. A new entry and a new work will be posted every day from now until December 24. I hope you enjoy and find new beauty to dearly love!

I haven’t finalized the playlist yet, so if you want to suggest a work you love, Tweet at me!

I wish all music-lovers peace, magic, and beauty this holiday season. May 2019 bring you whatever encouragement and enlightenment you wish or want.

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