Tag Archives: Carnegie Hall

Review: Minnesota Orchestra at Carnegie Hall

Gray concrete. Distant sirens. Half-heard conversations. Bicyclists sailing down avenues. Tangles of pedestrians caught at stoplights, overflowing into crosswalks. Defiant bray of taxi horns. Spring wind whistling past storefronts. Dark low murky clouds. Glowing yellow lights stacked to the sky. Hurried, impatient clack-clack-clack of heels.

Midtown Manhattan at night. There were too many impressions to absorb at once.

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Tickets for the Minnesota Orchestra’s March Carnegie Hall show went on sale last August. I had a reminder on my calendar to buy them first thing that morning. I was up by nine, but I should have set my alarm for six. The Carnegie website was creaking under the demand, and the only seats left at that point – I repeat, the morning they went on sale – were in the balcony.

So it was that, precious tickets in hand, my friend and I set out to climb to the rafters of Mt. Carnegie.

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Listen to the Minnesota Orchestra at Carnegie

What the headline says. Here’s a link to WQXR’s recording.

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The view from my seat

90% of the batsh*t insanity of the audience is probably me, so…you’re welcome. lol

Let me know what you think of the performance! Once I swim through the phlegm of my New York induced cold, I’ll be back to blogging about the trip, so keep an eye out.

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Review, Carnegie Preview: Minnesota Orchestra, Hilary Hahn in Sibelius

How do you get to Carnegie Hall?

Two options:

  • Practice practice practice, ~OR~
  • Use the Minnesota Orchestra’s first post-lockout performance in New York City as an excuse to fly in from Minneapolis and creep out native New Yorkers with your girlish, shockingly unprofessional enthusiasm!

I chose the second option. Practicing can be a drag, and I’m good at screaming in concert halls.

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The Minnesota Orchestra and guest soloist Hilary Hahn take the stage at Carnegie Hall on Thursday, March 3rd. This past weekend, they performed the program they’ll be bringing on tour. I went on Friday and Saturday nights to get a sense of how the orchestra is sounding in this benchmark repertoire.

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The program begins with Sibelius’s underplayed third symphony. Osmo recently described the piece in a Minnesota Public Radio interview: “I love all of the symphonies, but in this context I would like to give something which is almost totally unknown piece, but great piece of music.”

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