Tag Archives: Mask of the Flower Prince

Interview with Scott Chamberlain: Part 2

In the second part of my interview with fellow blogger Scott Chamberlain, we talked about his upcoming Cuba trip. Catch up on the first part here.

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Scott's logo

The famous mask…

EH: So. I’ve ignored the elephant in the room long enough. The whole reason I even thought of connecting with you in interview format is that you’re going with the Minnesota Orchestra to cover their historic Cuba tour. They’ll be the first American orchestra in the Obama era to visit. And you’ll be writing about it, even though you aren’t a professional arts writer. And I want to take a minute to talk about that.

I’ve never heard of an arts writer – amateur or professional – trying to crowdfund accompanying an orchestra on a tour. And not only trying, but succeeding. As I’m writing this entry, you’re at 55% of your goal, and it’s only been a few days. (Readers, please, if anyone has done anything like this before, let me know in the comments.) I know this project didn’t come about as some grand plan or anything like that, but obviously as I’m watching the total tick up and up, and getting excited about having a writer friend on the ground in Cuba to share his thoughts… I’m wondering about whether you think this is a strategy that arts writers will use in future to get more and better coverage of our beloved arts. I have mixed feelings about whether it could work besides for a few very charismatic people, but I’m curious what you think. Do you think your support is just a one-off thing because you developed relationships with your readers in the depths of a historic lockout, or do you think other arts writers in other times and places could do it, too? Many times I find myself wondering, “are the cool things that are happening here a direct result of the lockout, or could these cool things happen everywhere?” Do you know what I mean?

SC: I do think it’s unusual—in fact, the co-founder Musicovation.com, a website devoted to covering news and industry trends from across the musical world, contacted me to ask these very questions.

And I have to say I’m learning as I go. Given the complexities of this tour, it is fairly expensive… even for those of us who are getting the press discount. As an independent writer, coming up with the cost of the trip seemed daunting, but a number of supporters suggested that this was a perfect fit for a GoFundMe campaign… and off I went.

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Interview with Scott Chamberlain: Part 1

Many times over the past two years I found myself messaging Scott Chamberlain:

You want to cover this one, or should I?

Scott Chamberlain, the author of the widely linked Mask of the Flower Prince blog, and I share a lot: mediums, outlooks, communities, topics, inspirations, and a passion for our Minnesota Orchestra, as well as the performing arts in general. In other words, I’m not sure why I haven’t interviewed him on the blog before. So yesterday I emailed him a list of discussion topics about the role of blogs in the orchestra world, why the [expletive] we kept writing about the Minnesota Orchestra meltdown for as long as we did, and oh, yeah, a little bit about his historic trip to Cuba. (Stay tuned for part 2 of my interview for that.) And he was good enough to email back. So without further ado –

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This is Scott's blog. It's a good blog.

This is Scott’s blog. It’s a good blog.

EH: It’s surreal to me we haven’t had a public chat yet. We’ve each linked to each other a million times, but we’ve never actually sat down for a conversation, so I feel like this entry is way overdue.

First I want to hop in a time machine back to June 2013, which was the month your blog started. It was the exact middle of the Minnesota Orchestra lockout. You were crazy prolific during that time. Why did you feel compelled to spend months documenting this disaster? For me, it was because this orchestra meant so much to me, and it was cathartic to dissect the news. And gradually it became more rewarding than anything I’d ever done, even when the news was really bad. (And it was almost always really bad.) But I was curious why you kept at it. Looking back, don’t you think rational people should have given up after Osmo resigned?

SC: The funny thing is, in many ways I fell into blogging as an afterthought. As many people know, I used to work for the Orchestra and had several friends among the musicians and the staff. So when the negotiations fell apart in fall 2012, it really felt personal. I think like many people out there, I started off thinking that this was a standard-issue labor dispute. For me that changed on November 28, 2012, when the Star Tribune published an op-ed piece by the board chairs of the Minnesota Orchestra detailing their views of the lockout. There were so many things in that op-ed that were disrespectful, and flat out wrong. I was irritated enough that the next day I posted an extensive deconstruction of it on my Facebook page.

I had no idea anyone would ever read it… I mostly wrote it just for my own peace of mind. Plus, such a lengthy rebuttal was way, way too long for Facebook. I fully expected that any attention it received would fade quickly, just like everything else on social media. But oddly enough, this post didn’t die away quietly. I watched in disbelief as my rant took on a life of its own, shared by hundreds of people I didn’t know and had never met. Within a week my number of Facebook friends had nearly doubled. (I ultimately re-posted that piece here on my blog, if you’d care to read it.)

I followed up this commentary with many others, but given their size and scope they weren’t particularly suited for Facebook. I was a fan of “Song of the Lark,” and wondered if a blog might be a better way to get my ideas out into the real world. With a great deal of prodding from my wife and other friends, I made it happen.

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