5:55 PM. The second Minnesota Orchestra broadcast from Cuba is rapidly approaching! Please join me! Facebook, Twitter (those two places were where most of the action was last night), or here on the blog. So pour your drinks and make your Cuban inspired dinner. Please don’t go to Taco John’s.
6:06 PM. If you need some pre-concert reading, take a peek at Scott Chamberlain’s blog, Mask of the Flower Prince! He’s on the ground in Cuba tonight. Pretty sure that this is the first orchestra-related crowdfunded arts journalism effort ever. And that is awesome.
6:28 PM. This shirt is in honor of Richard Marshall, Minnesota Orchestra violist and notorious pun lover.
7:01 PM. Brian Newhouse begins the broadcast with a series of touching observations about the contrasts between beauty and hardship in Cuba. He reports that the Cubans have been hugely welcoming to our American orchestra! Flutist Wendy Williams observes she feels she is living in Technicolor in Havana. We’re then treated to a Minnesota Orchestra Ibert recording. *excitement*
7:19 PM. The highlights of the broadcasts so far – aside from the amazing performances, obviously – have been the MPR interviews with Cuban music students. I feel honored that we can hear snippets of their stories, hopes, and dreams! I hope that the Minnesota Orchestra inspires their studies as profoundly as they inspired mine…
7:27 PM. Feeling some intense hometown pride as Brian Newhouse runs snippets of interviews with Cuban concertgoers who express gratitude and who (not surprisingly) want the Orchestra to return. (I’m starting the hashtag now: #CubaTour2016.) One woman says they don’t have this sound in Cuba. Not many places do. We are beyond blessed to have this ensemble in our backyard, just in case you haven’t thought about that lately.
7:42 PM. An astonishing moment as the Cuban and American national anthems are played one after the other, with loud enthusiastic applause following. Wow.
7:53 PM. The Bernstein Symphonic Dances are going along swimmingly, with plenty of verve and swing!
8:06 PM. The orchestra is fine form, sounding relaxed and assured. I forget sometimes how truly lovely the Bernstein Symphonic Dances are, so it’s fabulous to be reminded.
8:15 PM. Audiences immediately reward the Bernstein with resounding Bravos! Brian Newhouse muses aloud if this is partly due to the extraordinary gesture of the two side-by-side national anthems that preceded the first half of the show.
8:16 PM. Last night MPR interviewed a Cuban audience member, who observed how in the old days, luminaries such as Heifetz and Rubenstein used to visit annually. Let’s hope the high-level music-making resumes and continues.
8:31 PM. During intermission, Minnesota Public Radio is playing an excerpt from Osmo’s first concert as music director with the Minnesota Orchestra… Grieg, Peer Gynt. I was in my early teens back then. Feeling a serious time warp. So much has happened. So much. And I’m grateful.
8:40 PM. The orchestra launches into a threateningly intense Prokofiev performance. Shades of a delicious nightmare.
8:45 PM. The lower strings, cellos in particular, are really grabbing my attention tonight…
8:55 PM. As the Prokofiev continues, the music dances back and forth between carefree sarcasm and mesmerizing, practically otherworldly beauty.
9:00 PM. Practically had a heart attack when my signal dipped out for half a second. I’m clinging to these sounds like they’re oxygen.
9:01 PM. ~~~DRAMA~~~ as the broadcast signal goes down! OMG! But Brian Newhouse remains cool as ever, smoothly citing “gremlins” and redirecting us to a Sudbin / Vanska / Minnesota Orchestra recording. You can tell they’ve rehearsed what to do if this happens. We’re in good hands.
9:08 PM. The signal is back online, returning us to glorious Prokofiev!
9:16 PM. In the last few minutes alone we’ve been treated to so many ghostly sounds: brass choirs, so-soft-you-can’t-breathe string chords, and now some tenderly foreboding oboe lines. The end was so quiet, so magical… The applause begins slowly, audience stunned.
9:20 PM. Now to bravos!
9:24 PM. Two encores. Eric Sjostrom, Orchestra librarian, has just shared on my Facebook page: “The first encore was the Caturla Danza lucumi, from Three Cuban Dances. Now they are playing Malagueña by Ernesto Lecuona.”
9:30 PM. And the final encore is the same encore as last night, Säkkijärven Polka, as arranged by The Man himself, Osmo Vanska. As Eric noted: “There is no more music in the folders.” He would know!
9:35 PM. We end this extraordinary evening with a recording of turbulent Sibelius. I remember that not too long ago Sibelius 2 was being played at the Minneapolis Convention Center in the middle of a dark, cold winter of discontent…a winter both literal and metaphorical. That winter is now over. And so we pass into a bright spring of possibility.
I really loved the dress I wore that night. And now is as good a time as any, between the tour news, and the Sibelius, and (most excitingly) the likely Osmo / musician contract extensions alluded to today in the Strib, to share that I will be PACKING said dress…in my suitcase…for my flight…next March…to New York City!
New York! Carnegie! Hilary Hahn! Sibelius! EXCITEMENT!
Lots of details have yet to be ironed out, but I just wanted to give a little teaser that SOTL is going on the road to NYC in March 2016 to cover the Orchestra’s next tour, and I could NOT be more excited to share the trip with my dear readers!
So thank you one and all for joining me on the journey – not just to Minneapolis, or to Havana, or to Carnegie, but to this moment! An overwhelming moment that transcends place and time.
I won’t be #livelarking or microreviewing this week; I’m set to visit Orchestra Hall in person to catch Stan’s Brahms and Beethoven and welcome our oh-so-seductive heroes back home to Minnesota. Nonetheless, stay tuned, and be sure to follow my Facebook and Twitter page for up-to-the-minute Minnesota Orchestra news. (And be sure to check both those places to read what went down on the sites during the broadcast tonight!) Love you guys. Signing off –