If you spend any time in the online orchestra world, you’ve probably seen the Baltimore Symphony Orchestra’s infographic about American orchestras’ 2014/15 seasons. A few days ago, the BSO released figures tracking the 15/16 season, and this year, the data net has been cast even wider. Writer Ricky O’Bannon describes the methodology:
This season we collected programming data for both major American symphonies as well as smaller regional orchestras — 89 in total — to give a more holistic view of symphonic repertoire in the United States.
My thoughts after reading that:
Oh, cool! With so many more orchestras included in the data-gathering this year, surely the proportion of living and historic women composers has skyrocketed, or at least inched upward gradually!
Last season, the works of female composers accounted for 14.3% of the performances of living composers (and a mere 1.8% of the performances overall). This year, even with the wider field? 14% and 1.7%, respectively.
And then there’s this little asterisk at the bottom of the graph.
Look, I know it’s hard for orchestras to program works outside The Canon. And at this point, pretty much every orchestral work by women is outside The Canon. But no one in the bunch of eighty-nine orchestras wanted to program a single work by a female composer once? No one thought that would be musically or historically or politically or culturally interesting? No one thought that would be unique or exciting? No one thought that would be fantastic press release material? No one thought that would excite donors? No one thought that would advance orchestras’ missions to broaden audiences or educate communities? No one saw this as The Easiest Way Ever to outperform peer organizations? For crap’s sake, a random orchestra could program a dead lady’s ten-minute overture once, and wow, suddenly they’re playing 100% more historic women than any other orchestra in America! Congratulations, random orchestra! Your commitment to underrepresented demographics is palpable.
And hell, it’s not like I’m asking every orchestra to throw an annual month-long Vagina Festival. It just would have been nice to see one orchestra play one work by one woman at one point. I thought that someone, somewhere, would throw us a pity Gaelic Symphony or Farrenc third or Clara Schumann concerto. But, nope.
Anyway. I would love to offer probing analysis. But it’s pretty f***ing hard to analyze the number zero.