Here’s an article by violinist Mozelle Bennett from the March 1922 issue of The Violinist.
For the solo violinist who hopes to step “over the top,” I would offer a few suggestions. Although he already knows, he probably does not realize just how much a few little points, which have been discovered by the great masters mean to the young artist.
During my study in Eugene Ysaye’s Master Class he often repeated – “Good bowing counts seventy-five percent in violin playing.” Learn to use the point of your bow and change the bow without twisting it at the point. Practice scales making a crescendo at the point.
Practice playing on the opening strings – G – D – A – E – with one stroke of the bow, using most of the bow on the G string, making a crescendo at the point, then back again on the E – A – D – G, using most of the bow on the E string, and keeping the bow so close to the next string that it finally is impossible to detect when the bow changes strings.
Then practice the G major and G minor scales in the first position with the same bowing, holding down the fingers very firmly on the first string until the first note on the next string has been played.
All of the scales should be practiced, carefully following these suggestions, and a perfect legato will be the result.
Good Bowing, I have discovered in my concert work, is one of the greatest secrets of success.